Photography and more
Graphic Arts
What colour is my click?
Apr 29th
For print shops to win bids in a competitive market, it is important to price jobs correctly. It is also important that print jobs have predictable costs to make a profit.
Printers often receive jobs which appear to contain a mix of colour and B&W pages and the job is priced accordingly to win the bid.
Sometimes these mixed jobs generate all colour click charges and all the profit on the job is lost or creates a financial loss. I’ve had customers who have run very large mixed jobs only to find out every page was a colour click even though most of pages appeared to be black and white when they opened the job in Acrobat.
To avoid this problem you can preflight the job in Acrobat Pro to find out which pages are colour or B&W and then convert the pages that should be B&W. Versions 8 and 9 of Acrobat Pro have excellent tools for print production to check for many things that are important to a print shop.
Preflighting in Acrobat Pro
If you check under the Advanced or Print Production menu in Acrobat Pro 9 you will see Preflight. Preflight is also available in Acrobat Pro 8 and it is similar to 9.
You can download this sample file to try preflighting in Acrobat Pro. The sample PDF file has one page with colour elements and a second page which appears to be B&W. Both pages will generate colour click charges on a digital press. The sample was created using MS-Word and Excel and converted to B&W using the high quality print setting.
When you open Preflight, it loads a large variety of preflight profiles to check for various standards compliance and issues you might encounter when printing. We are going to use the Digital Printing (B/W) profile located in Digital printing and online publishing section. If you click on the edit button you can see all checks that are done by this profile. Some of the checks will generate warnings while other checks generate errors or information.
Click on analyze to preflight the PDF file.
Once it is done preflighting, a preflight report is created under the Results tab. Click on the drop down beside Document Images on CMY plates. You will see one colour image on page 1 but there are many colour images on page 2. Page 2 appears to be a B&W page when you look at it or print it!
Click on any of the colour images and then click on the show button. This will highlight the colour element in the PDF file. If you click on Show in Snap the colour element will be displayed in a small window.
There is another way to check pages for colour elements. Close the Preflight window and select Output Preview under the Print Production menu.
Output Preview show separations by default and will list all colour plates. If there are Pantone plates in the job it will list the Pantone colours as well. Deselect the check box beside Process Black. If there are no colour elements on the page, all the black items should disappear. In the sample PDF file nothing disappears! We can fix this problem.
Converting Colour Pages to B&W
You can convert the colour pages to B&W by selecting Convert Colours under the Print Production menu. In this example we need to convert page 2 but you can convert both pages to see what happens.
In the Convert Colour dialog box make sure Any Object, Any Profile, Convert to Profile is selected. Beside Conversion Profile, click on the drop down menu and scroll to the very bottom where you will see several profiles for converting to B&W. Select Gray Gamma 2.2. This is B&W on a PC. The various Dot Gain profiles also convert to B&W and they will make images lighter or darker depending on which one you choose.
At the bottom, under convert pages, you can select which pages you want to convert. Try converting all the pages so you see the colour image on page 1 change to grayscale. After you have converted the colours, use save as to create a new version of the PDF file.
Now try preflight again with the Digital Print (B/W) profiles and you will see all the colour objects are gone.
Summary
To save yourself money, time and frustration, you should always preflight any file you receive from a customer. The preflight tools in Acrobat Pro 8 and 9 make it easy to correct many printing issues.
Having a Problem Printing a PDF File?
Sep 25th
I get many PDF files from customers that won’t print or produce unexpected results. So how do you investigate and fix these files? I use preflight in Acrobat Pro.
Many things can cause problems; unexpected colour shifts, missing fonts, low resolution images, Pantone colours not supported by your rip, b&w documents that generate colour click charges. All these problems can be discovered and many of them can be fixed using the preflight features in Acrobat Pro.
This is an excellent video from Adobe TV that provides an overview of preflighting in Acrobat Pro 9.
Upcoming Seminars
Jun 11th
Every year I host several seminars on various topics. This is list of upcoming seminars I will be doing. It will be updated as the details are worked out for each seminar.
Colour Theory and Management At Xerox Canada
8:30 am July 14, 2009 at 237 Brownlow Ave, Dartmouth, Nova Scotia
I am a colour consultant at Xerox and we offer seminars on colour management and workflow to our customers every year. This seminar is designed for professionals in graphics arts. The intended audience is prepress and production people who need to know how to setup colour management workflows and solve colour problems. You can contact me at peter.steeper@xerox.com for a complete curriculum. This full day seminar is $395 per person and group discounts are available.
How to Photograph Flowers
Saturday July 4th, 2009
Daylily Daze
Hammonds Plains Baptist Church, 1839 Hammonds Plains Rd.
9:30 to 3:00 pm
Seminar is from 1:00 pm to 2:00 pm
My wife belongs to several garden clubs and I usually give several seminars every year on this topic. My presentation will be one hour in length sometime during Daylily Daze hosted by the Nova Scotia Daylily Society on July 4th. I’ll update the start time when I know.
I will be doing a live demonstration of how to get the best results with your flowers. It is suitable for both point & shoot and dSLR camera users. I’ll have a few tips for photographers on how to preserve their marriage by not damaging designer daylilies. (I didn’t know they were that expensive!)
Digital Photography Basics
September 2009 - More info to come
This seminar is hosted by the Photographic Guild of Nova Scotia. This was very successful last year. It will include theory and practical hands on. Watch for more details.
Printing for Photographers
April 2010
Hosted by Truro Image Makers Photo Club
This seminar is how to turn your images into a high quality print on your inkjet and other types of printers. I’ve been very succesful in print competitions for photographers and printing is what I do at Xerox. More information will be posted before the event.
Colour Perception Test
May 24th
How good is your colour perception?
Xrite has a colour perception test on their website. You can test yourself to see how well you can distinguish hues. Xrite Hue Test.
Are you colour blind? Try this test for colour blindness.
New Colour Tools
Jan 17th
In December I received a new X-rite EyeOne IO spectrophotometer and Profile Maker 5. I’ve had an EyeOne for several years but the IO comes with the robot arm which automates the process of creating ICC colour profiles. The license also the modules to create profiles for CMYK and RGB printers, monitors, projectors, cameras and scanners. I’ve been testing it on everything here and will be able to other full services to Xerox customers this month.
One of the first things I calibrated was the Ultra Premium Lustre paper I use with my Epson R1800 inkjet printer. This is a great paper for creating archival prints but I always got a slight cyan cast when I used it for creating B&W prints. The prints are very neutral now with the custom profile I created and I am very pleased with the results.
We have an HDTV and we will be hosting a photo evaluation night later this month. I plan to use the HDTV to display the images and of course I had to profile the TV. The TV is usually connected to my Macbook Pro using a DVI to HDMI cable. While the results are better there is still some over saturation in some reds. There is a VGA connection on the TV and I plan to try it to see if I get better results.

